The kimono is an image of tradition. In it it is a living, not an obsolete past, because it is an active creation of the present in the age of human wealth. Tradition is the spiritual stability and continuity, holding together the metamorphoses of the search for perfection.

The kimono is a manifestation of the wisdom of beauty, love, striving for the integrity of existence. That is why the kimono is cut without cutting and sewn only with straight crucibles. Nothing should be waved or distorted, so as not to damage the all-encompassing harmony, so as not to distort the gaze. Love is the fullest manifestation of paganism, it rounds, embraces and connects. That is why parents transmit their love, positive energy and morality through the clothes of their children. Thus they seem to envelop them in their tenderness, clothe them in their protection, and keep them pure and sublime.

The transmission of the garment from generation to generation is more than a ritual, the family image is woven into it, the family history is imbued. The kimono, inherited over time, preserves the wisdom and experience of those who wore it. Through it, the individual finds his original personal appearance, achieves his own unique style, as the garment remembers the uniqueness of human destiny.

There is no fashion in the kimono. Once made, the garment is not redesigned - it is an act of contemplation of the impermanence in the transient creation of the fabric, a stagnation in the graceful immutability of the value. The uninterrupted flow of life is controlled by the organic community between ancestors and heirs. Wearing a kimono is an art that reflects the character of the person, it elevates the spirit and emphasizes its beauty embodied in exquisite manners. By dressing and sharing the tradition, the spiritual path of morality is captured, inherited, each generation brings its tribute to it and enriches it.

The kimono tells the feminine beauty in the elegance and serenity of benevolence. Despite its splendor, it is never flashy, but devoted to hint and restraint. For the Japanese world, the distinguishing feature of the feminine is above all delicacy and finesse. For this reason, the only part of the body that remains uncovered is the neck from the back in a deep neckline. The length and curve of the neck are judged by the beauty, the neckline catches the eye in the mysterious memory of the erotic.